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Underground Line A takes us to
Piazza di Porta S. Giovanni; we go through the Aurelian Walls at the ancient
Porta Asinaria, which until the new gates were built in 1574 was the southern
entrance to the city. In Roman times this was a residential district with
the Lateran Palace, which the Emperor Constantine gave together with a Christian
basilica to Pope Melchiades to be the papal see. Despite considerable decadence
in the Middle Ages, the Patriarchate as the basilica and palace complex
were called, was considered to be important and was fought over by the various
factions. The transfer of the the Holy See to the Vatican in 1390, after
the return of the popes from Avignon, accelerated the decay of the area.
Between the 15th and 17th centuries the Patriarchate underwent restoration.
The town planning scheme of Sixtus V lead to the layout of new streets converging
on the square, and the new palace was built by D. Fontana in 1586. |
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Basilica
This is one of the four Patriachal basilicas; it was first dedicated
to the Holy Saviour and then to SS. John the Evangelist and John the Baptist.
The 18th century facade is adorned with statues of Christ, St. John and
the Doctors of the Church, and has five portals. The central one has the
doors of the Roman Senate. The last door to the right is the Holy Door opened
only for the Jubilee. The plan of the basilica with its five aisles is the
original one although many restorations, including those by Della Porta
and Borromini, have altered the appearance. Among the numerous works of
art in the basilica we can recall the 14th century frescoed tabernacle above
the high altar where only the Pope can celebrate Mass. Admission to the
Cloister, dating to 1521-1523, is through the left nave. |
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Palazzo del Laterano
Going around the outside we come to the Vatican Museum, set up in 1987.
The Palace is the headquarters of the Rome Vicariate and has the privilege
of extraterritoriality. Opposite we can see the remains of the ancient Patriarchate;
the niche with mosaics is all that is left of the dining hall of Leo II
called the Triclinium, and the Chapel of St. Laurence called the Sancta
Sanctorum. The Sancta Sanctorum was built in 1278 to house various relics;
other relics connected with the passion of Christ are conserved in the nearly
basilica of S. Croce in Gerusalemme. There are several stairways to reach
the chapel on the first floor; the central stairway, called the Scala Santa,
is climbed by kneeling worshippers on Good Friday. |
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Piazza San Giovanni
Piazza S. Giovanni has Rome's highest and most ancient obelisk and
is the point of convergence for several streets including Via Merulana,
inaugurated in the 1575 Holy Year to connect the square with the nearby
basilica of St. Mary Major, and Via S. Giovanni called the Via Papalis because
it is the route for processions from the Vatican. To the right of the Loggia
delle Benedizioni we can see the Baptistery, founded by Constantine. This
building is of great artistic interest and is an archetectural archetype.
Along Via dei SS. Quattro we come to a fortified monastery dedicated to
four Roman soldiers who suffered martyrdom; for centuries this was an outpost
of the Patriarchate. The outside has a Carolingian tower, and the garden
has a cloister dating to 1220, with admission on request. The chapel of
St. Sylvester with frescoes depicting the Saint's miracles including the
conversion of Constantine healed from the plague; during the controversies
of the Middle Ages they were considered as evidence of the supremacy of
the Pope over the Emperor. |
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San Clemente
This is a highly important monument enabling us to see three dif- ferent
stages of Rome's history. The basilica at street level dates from 1108;
underneath is an earlier 4th century basilica with frescoes on the life
of St. Clement. Further below there are ancient Roman buildings including
a temple of Mithra (god of virility), venerated in Rome in the 1st century
A.D., and sixteen catacombs. |
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Villa Celimontana
Going along Via Celimontana we reach the top of tht Celian hill above
the Colosseum. To the left there is the church of S. Maria in Dominica,
one of the city's oldest, famous for its 9th century mosaics. A visit to
the Fontana della Navicella and the Villa Celimontana park is relaxing.
A narrow passageway surmounted by an arch marks the begininng of Via di
S. Paolo della Croce. The Arch of Dolabella was built in 10 A.D. and takes
its name from the consul who incorporated it into the Servian Walls. Further
on is the church of SS. Giovanni e Paolo, founded in the 5th century and
rebuilt in the 12th century; at the base of the bell-tower and in the excavations
there are Roman remains, perhaps of the Temple of Claudius. Passing down
the street crossed by seven arches, named after the ancient Roman Clivius
Scaurus, we see the church of S. Gregorio Magno. Rebuilt in the Middle Ages
on the site where St. Gregory the Great had converted his father's house
into a monastery, the mosaic floor and ancient columns are all that remain
of the earlier church. |
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We turn right and cross Piazza di Porta Capena, which leads to the
Baths of Caracalla, and then go along Via di Circo Massimo along the Circus
up to Piazza Ugo La Malfa facing the ruins of the Palatine. The Circus Maximus,
used primarily for chariot racing, was traditionally founded by king Tarquinius
Priscus on the site where the Rape of the Sabines took place. The area underwent
continuous transformation between the 4th century B.C. until the 5th century
A.D. when competitions came to an end. Half a kilometer long, the stadium
could seat up to 250,000 spectators. We go along Via di S. Sabina, past
the Parco Sabelli or Orange Garden with a fine view of the city, to Piazza
Pietro d'Illiria, with its fountain adorned by a sculpture by G. Della Porta.
The church was founded in 425 on the site of the house of the Roman matron
Sabina and was the first Dominican church, given to St. Dominic by Honorius
III. The cloister and bell-tower date to that period. The interior, with
three aisles and 24 columns taken from Roman buildings, was decorated with
numerous mosaics; there is a fragment above the 4th century wooden doorway.
The Schola Cantorum and other marble decorations are from the 9th century.
The church of SS. Bonifacio ed Alessio, better known simply as S. Alessio,
was founded in the 5th century, rebuilt in 1217 by Honorius Ill and transformed
in 1750. In the crypt there is a column to which St. Sebastian was allegedly
bound, and the relics of Thomas Becket. Cardinal Rezzonico, commemorated
in the inscription, commissioned Piranesi to build the square in 1764-66.
It is surrounded by cypresses and decorated with military and heraldic sculptures.
The Priorato del Cavalieri di Malta was founded in 939 as a Benedictine
monastery, passing to the Templars in the mid 12th century and to the knights
of Malta in the 15th century; St. Peter's dome can be seen through the keyhole
of the gate. There are two churches on the square: the neoclassical S. Maria
del Priorato and the International Benedictine church of S. Anselmo. |
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Going along Via di S. Anselmo and crossing the gardens of the Parco
della Resistenza we come to the Pyramid and Porta S. Paolo, in the Testaccio
district. The Pyramid was built as the tomb of Gaius Cestius, who died in
12 B.C.; it is 27 mt. high and was incorporated into the Aurelian walls.
Porta S. Paolo is one of the eighteen gateways in the Aurelian Walls, built
between 270 and 275 A.D. to protect the city from the barbarians. The walls
extend for 19 kilometers and had 381 square towers. |
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Via Ostiense starts from Piazzale Ostiense and lead to the basilica
of S. Paolo fuori le Mura; it can be reached by underground Linea B. The
original basilica, founded at the time of Constantine, was built on the
site considered to be the tomb of St. Paul and was partially destroyed in
a fire in 1823. The restoration, financed by public donations, took over
a cen tury, and was aimed at providing an accurate reconstruction of the
ancient basilica. |